B I O G R A P H Y
‘He went on to command everyone`s attention with his virtuosity, rich quality of tone and deep understanding of the music.’
– concerto review, Lichfield Sinfonia
Versatile performer, composer and arranger, James Girling is a twenty-four-year-old guitarist based in Manchester, UK. He graduated from the Royal Northern College of Music with Master’s (Distinction) and Bachelor’s (First-Class Honours) degrees, having been selected onto RNCM’s Accelerated Pathway as an eighteen-year-old. At RNCM, James was principally tutored by internationally renowned classical guitarist Craig Ogden, in addition to which he studied jazz with pianist Dan Whieldon. He has been selected onto the International Guitar Foundation's Young Artist Platform for 2019/20 (with Meraki Duo).
In 2016, James won the RNCM Gold Medal Competition, the conservatoire’s most prestigious award. As a result, he gave his Wigmore Hall debut solo recital on classical guitar in 2017. Subsequently, he made his professional concerto debut performing Rodrigo’s Fantasía para un gentilhombre with the Lichfield Sinfonia, and made his Concierto de Aranjuez debut with the Wyre Forest Symphony Orchestra in 2019. James has been awarded the Biddy Baxter and John Hosier Music Trust’s Special Award, the Emscote bursary from Edward Dusinberre of the Takács Quartet, Hilda Anderson Deane Award for all-round excellence, a Countess of Munster Musical Trust Award and Help Musicians UK Postgraduate Awards. James’ studies were further supported by the Craxton Memorial Trust, Martyn Edwards Jazz Bursary and Ian Spencer Fox Guitar Bursary. For jazz improvisation, he was awarded the RNCM Principal’s Prize and The Stan Barker Memorial Prize. Also a finalist in the RNCM Concerto Competition, James has performed in masterclasses for classical guitarists Elena Papandreou, Michael Lewin, Julian Byzantine, Gordon Crosskey and the Katona Duo, as well as for jazz musicians Mike Walker, Jason Rebello, Robert van Bavel and Julian Argüelles.
Last year, James performed at Open Circuit Festival with the Royal Liverpool Philharmonic Orchestra’s Ensemble 10/10, who specialise in contemporary chamber music, and headlined Bluedot Festival with the Hallé Orchestra. He also had the rare privilege of performing in the Aquarelle Guitar Quartet at Church Stretton Festival. This summer, James formed part of a tango quintet of international soloists, Ensemble Deva, for Chester Music Festival.
Having been self-taught on guitar from an early age, James was awarded the Advanced Young Musician Scholarship by the Warwickshire County Music Service to study classical guitar with Martin Högman, and within a year he achieved the ABRSM Diploma in Music Performance.
Today, James leads a busy lifestyle performing in a diverse range of styles and with ensembles that are attracting attention across the UK and in Europe. He is a co-founder of the acclaimed Afrobeat/Ethiojazz-inspired 11-piece Agbeko; since launching their debut E.P. in 2017 at Manchester’s Band on the Wall, they have played in the spectacular environments of Bulgaria’s Rhodope Mountains, Malta International Arts Festival, Austria’s Beserlpark Festival, Croatia’s Soundwave Festival and Milan’s Linecheck Festival. Among recent highlights in the UK, Agbeko have opened Manchester Jazz Festival, been invited to Oxford Festival of the Arts, Brighton’s The Great Escape and the Isle of Man. They tour the major festival circuit yearly. Their debut, 7-inch vinyl single was released on Stutter & Twitch Records in autumn 2018.
James also appears around the UK with Prohibition-era jazz septet The Easy Rollers, who this summer were resident at Edinburgh’s The Jazz Bar for the Festival Fringe and also played at the Cheltenham Jazz Festival and Lake District Summer Music Festival. He is in-demand as a sideman with groups including poets-fronted Beats On Book - featured at Love Supreme Jazz Festival - and Lieko Quintet, who released and toured their ‘Amethyst’ E.P. in spring 2019. Elsewhere, highlights include supporting Bill Laurance (playing with The Untold Orchestra) and post-Bowie Donny McCaslin (with Artephis), playing at Manchester International Festival (with The 7:45s), performing with saxophonist Pee Wee Ellis after being selected onto his residency through Brighter Sound, and opening the Clapham Omnibus Theatre music season with James’ Brazilian-inspired Quarteto de Bossa Nova. Since 2016, James has been the guitarist in the late composer David Fanshawe’s ensemble elect for his cross-cultural work, African Sanctus, led by Simone Rebello’s BackBeat Percussion Quartet, including performances for the Wimbledon International Music Festival and Oxford Bach Choir. As a session musician, he has played in the Côte d’Azur at the Monaco Historic Grand Prix and Château de Cassis, on TV series Cold Feet, and he appears in the new WWII-set BBC One drama World On Fire. He tours and records for bands in idioms ranging from original soul and alternative pop to flamenco.
Meanwhile, James’ classical chamber music performances across the country include King's Place for London Guitar Festival, Leeds International Concert Season, Uppermill Summer Music Festival, Bridgewater Hall, Swaledale Festival, Manchester Cathedral, St. Paul’s in Covent Garden, and St. James’ in Piccadilly. His flute-guitar Meraki Duo with Meera Maharaj competed in the final of this year’s Royal Over-Seas League Competition (Mixed Ensembles). Alongside their year-round concert schedule, Meraki Duo are Live Music Now artists, through which they take their performances into the wider community with interactive concerts and workshops in schools and care homes. Additionally, they have given concerts at Wigmore Hall in partnership with the Wigmore Learning programme.
A keen arranger, James has written arrangements for Jacqui Dankworth and Craig Ogden, which they have toured and recorded together. He is commissioned by composer Andy Scott to write arrangements for flute and guitar of a number of Scott’s works (for publication by Astute Music), and by Aquarelle Guitar Quartet as part of their forthcoming album with Clarice Assad on Chandos Records. James regularly arranges repertoire for Meraki Duo.
As guitarist in the RNCM Big Band throughout his conservatoire studies, James performed alongside eminent British jazz musicians including Tim Garland, Julian Joseph, Nikki Iles, Tina May, Laurence Cottle, Dave Hassell and Mark Nightingale, and European virtuosi Markus Stockhausen and Bart van Lier, and was broadcast live on Radio 3’s ‘In Tune’ programme. He played duets with Martin Taylor and Christian Garrick, and was the soloist in Fred Sturm’s electric guitar concerto ‘Steely Dan Suite’. In June 2019, James was invited to return as a guest soloist with the Big Band in Mike Hall’s final concert as its director.
His own contemporary jazz quintet Artephis – currently a Northern Line artist and formerly an Introduces artist through Jazz North – released their debut, loosely conceptual album 'ALL CHANGE NO CHANGE' in 2017 with an accompanying UK tour. Aired on BBC Radio 3’s ‘Jazz Now’ and BBC Radio 2, Jamie Cullum calling it a “brilliant new release [that] got my ears bouncing” and choosing its track 'Feroz' as his BBC Introducing highlight of 2017, the album was awarded the Sir John Manduell Prize. Artephis have performed at the major jazz festivals across the North, as well as at Kendal Calling, The Cavern Club and for TEDxRNCM. As composer, James also recently wrote for a filmed collaboration between Artephis and The Untold Orchestra, who in 2018 appeared together in a full-length original concert at Brecon Jazz Festival. His composition ‘Chagrin’ is featured on the first ever CD of selected performers at Marsden Jazz Festival.
As an educator, James teaches at Stockport Grammar School and St. Bede’s College in Manchester, adjudicates competitions, and leads workshops around the country including at The Sage Gateshead, Charterhouse School and Dulwich College.
James plays a 2013 Paul Sheridan classical guitar, a Gibson 339 and a Gretsch Historic Series jazz guitar.